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Oxenham, A. J.

Publications and source records attributed to Oxenham, A. J..

7 recordsLinked to original sources

Cortical substrates of perceptual confusion between pitch and timbre

Pitch and timbre, two fundamental perceptual attributes of sound, are critical for both speech and music. Although governed by different acoustic parameters, pitch and brightness (one of the primary dimensions of timbre) can be perceptually confused. Here we identify potential neural substrates of this well-known illusion by independently manipulating pitch and brightness while measuring fMRI responses. First, we show that the preferred pitch of individual voxels within auditory cortex decreases systematically as stimulus brightness increases, and vice versa, consistent with predictions from perceptual confusion. Second, we demonstrate that pitch and brightness share a common tuning gradient across auditory cortex, implying a shared trajectory of cortical activation for changes in each dimension. The pattern of results at both local and global cortical levels are consistent with the principle of efficient coding, with the brain exploiting correlations between pitch and brightness in natural sounds via a shared neural code.

neuroscience↗

Musical training does not enhance neural sound encoding at early stages of the auditory system: A large-scale multisite investigation

Musical training has been associated with enhanced neural processing of sounds, as measured via the frequency following response (FFR), implying the potential for human subcortical neural plasticity. We conducted a large-scale multi-site preregistered study (n > 260) to replicate and extend the findings underpinning this important relationship. We failed to replicate any of the major findings published previously in smaller studies. Musical training was related neither to enhanced spectral encoding strength of a speech stimulus (/da/) in babble nor to a stronger neural-stimulus correlation. Similarly, the strength of neural tracking of a speech sound with a time-varying pitch was not related to either years of musical training or age of onset of musical training. Our findings provide no evidence for plasticity of early auditory responses based on musical training and exposure.

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CompHEAR: A Customizable and Scalable Web-Enabled Auditory Performance Evaluation Platform for Cochlear Implant Sound Processing Research

ObjectiveCochlear implants (CIs) are auditory prostheses for individuals with severe to profound hearing loss, offering substantial but incomplete restoration of hearing function by stimulating the auditory nerve using electrodes. However, progress in CI performance and innovation has been constrained by the inability to rapidly test multiple sound processing strategies. Current research interfaces provided by major CI manufacturers have limitations in supporting a wide range of auditory experiments due to portability, programming difficulties, and the lack of direct comparison between sound processing algorithms. To address these limitations, we present the CompHEAR research platform, designed specifically for the Cochlear Implant Hackathon, enabling researchers to conduct diverse auditory experiments on a large scale. Study DesignQuasi-experimental SettingVirtual MethodsCompHEAR is an open-source, user-friendly platform which offers flexibility and ease of customization, allowing researchers to set up a broad set of auditory experiments. CompHEAR employs a vocoder to simulate novel sound coding strategies for CIs. It facilitates even distribution of listening tasks among participants and delivers real-time metrics for evaluation. The software architecture underlies the platforms flexibility in experimental design and its wide range of applications in sound processing research. ResultsPerformance testing of the CompHEAR platform ensured that it could support at least 10,000 concurrent users. The CompHEAR platform was successfully implemented during the COVID-19 pandemic and enabled global collaboration for the CI Hackathon (www.cihackathon.com). ConclusionThe CompHEAR platform is a useful research tool that permits comparing diverse signal processing strategies across a variety of auditory tasks with crowdsourced judging. Its versatility, scalability, and ease of use can enable further research with the goal of promoting advancements in cochlear implant performance and improved patient outcomes.

neuroscience↗

Consonance perception in congenital amusia: behavioral and brain responses to harmonicity and beating cues

Congenital amusia is a neurodevelopmental disorder characterized by difficulties in the perception and production of music, including the perception of consonance and dissonance, or the judgment of certain combinations of pitches as more pleasant than others. Two perceptual cues for dissonance are inharmonicity (the lack of a common fundamental frequency between components) and beating (amplitude fluctuations produced by close, interacting frequency components). In the presence of inharmonicities or beats, amusics have previously been reported to be insensitive to inharmonicity, but to exhibit normal sensitivity to beats. In the present study, we measured adaptive discrimination thresholds in amusic participants and found elevated thresholds for both cues. We recorded EEG and measured the mismatch negativity (MMN) in evoked potentials to consonance and dissonance deviants in an oddball paradigm. The amplitude of the MMN response was similar overall for amusics and controls, but while control participants showed a stronger MMN to harmonicity cues than to beating cues, amusic participants showed a stronger MMN to beating cues than to harmonicity cues. These findings suggest that initial encoding of consonance cues may be intact in amusia despite impaired behavioral performance, but that the relative weight of non-spectral cues may be increased for amusic individuals.

neuroscience↗

Dissociation of tonotopy and pitch in human auditory cortex

Frequency-to-place mapping, or tonotopy, is a fundamental organizing principle from the earliest stages of auditory processing in the cochlea to subcortical and cortical regions. Although cortical maps are referred to as tonotopic, previous studies employed sounds that covary in spectral content and higher-level perceptual features such as pitch, making it unclear whether these maps are inherited from cochlear organization and are indeed tonotopic, or instead reflect transformations based on higher-level features. We used high-resolution fMRI to measure BOLD responses in 10 participants as they listened to pure tones that varied in frequency or complex tones that independently varied in either spectral content or fundamental frequency (pitch). We show that auditory cortical gradients are in fact a mixture of maps organized both by spectral content and pitch. Consistent with hierarchical organization, primary regions were tuned predominantly to spectral content, whereas higher-level pitch tuning was observed bilaterally in surrounding non-primary regions.

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Perception of frequency modulation is mediated by cochlear place coding

Natural sounds convey information via frequency and amplitude modulations (FM and AM). Humans are acutely sensitive to the slow rates of FM that are crucial for speech and music. This sensitivity has been thought to rely on precise stimulus-driven auditory-nerve spike timing (time code), whereas a coarser code, based on variations in the cochlear place of stimulation (place code), represents faster FM. Here we test this longstanding theory in listeners with normal and impaired hearing, resulting in widely varying place-coding fidelity. Contrary to predictions, FM detection thresholds at slow and fast rates are highly correlated and closely related to the fidelity of cochlear place coding. We support this conclusion with additional data showing that place-based coding degrades at high modulation rates and in high spectral regions in ways that were previously interpreted as reflecting the limits of fine neural timing. The results suggest a unitary place-based neural code for FM.

neuroscience↗

Neural correlates of auditory enhancement in humans

The perception of sensory events can be suppressed or enhanced by the surrounding spatial and temporal context in ways that help in detecting novel objects and establishing perceptual constancy. In the auditory system, the phenomenon known as auditory enhancement reflects a general principle of contrast enhancement, where a target sound embedded within a background sound becomes perceptually more salient if the background is presented first by itself. This effect is highly robust, producing an effective enhancement of the target of between 5 and 25 dB (more than two orders of magnitude in intensity), depending on the task. Despite their ubiquity in vision, neural correlates of auditory contrast enhancement have yet to be identified in humans. Here we used the auditory steady-state response to probe the neural response to a target sound under conditions of enhancement. The probe was simultaneously modulated in amplitude with two modulation frequencies, to distinguish cortical from subcortical contributions to this phenomenon. We found robust auditory cortical, but not subcortical, enhancement that correlates with behavior and is consistent with an early theoretical model that postulates neural adaptation of inhibition. Our findings provide empirical support for a previously unverified theory of auditory enhancement and point to new approaches for improving sensory prostheses for hearing loss, such as hearing aids and cochlear implants. Significance StatementA target sound embedded within a background sound becomes perceptually more salient if the background is presented first by itself. This phenomenon, where the target "pops out", is known as auditory enhancement. It reflects a general principle of contrast enhancement, and helps in the detection of new acoustic events in the environment and in establishing the perceptual constancy of speech and other biologically relevant sounds under varying acoustic conditions. We use EEG in humans to reveal a cortical correlate of this perceptual phenomenon that provides empirical support for a longstanding but previously unverified theoretical account.

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