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Delle Monache, S.

Publications and source records attributed to Delle Monache, S..

3 recordsLinked to original sources

Task demands and visual context naturalness modulate gravitational expectation during ocular tracking of temporarily occluded ballistic trajectories

During ocular tracking of a target, contextual information provides useful cues to account for motion features the visual system is poorly sensitive to, like its acceleration. For example, the brain can rely on an internal model of gravity to intercept and track accelerated targets under gravity, and cues about the visual environment naturalness can facilitate its recruitment. Notably, in real life, these two tasks are often associated. Experimental evidence suggests that predictive information may be shared between the two tasks, albeit their concurrent execution can, in turn, affect the oculomotor performance. To gain further insight on how task demands and the naturalness of the visual context affect the weighting of sensory feedback and predictive feedforward information in ocular tracking, subjects tracked targets either congruent with gravity or perturbed during the trajectory with altered gravity. Targets were projected on either pictorial or neutral background, and, to enforce prediction, were occluded for variable intervals 550 ms after the perturbation. Sixty-nine participants were divided into two groups: one group performed only ocular tracking, the other also intercepted the targets. In general, subjects ocular tracking performance depended on the target acceleration level and the visual context, with effects of gravitational expectations being more evident with the pictorial naturalistic environment. This result reinforced the idea that gravity a priori information can be weighted based on the naturalness of the visual context. Another striking finding was that participants who only tracked the target showed systematic changes of the oculomotor performance with the acceleration level right after the perturbation, compatible with a strong reliance on gravitational expectation; instead, participants that also intercepted the target showed such systematic changes primarily after the targets occlusion, perhaps weighting more sensory information until then. Thus, concurrence of ocular tracking and manual interception seemingly influenced the temporal recruitment of internalized gravity information.

neuroscience↗

Visual and vestibular processing of vertical motion: a psychophysical study

The motion of objects and ourselves along the vertical is affected by gravitational acceleration. However, the visual system is poorly sensitive to accelerations, and the vestibular otoliths do not disassociate gravitational and inertial accelerations of ego-motion. Here, we tested the hypothesis that the brain resolves visual and vestibular ambiguities about vertical motion with internal models of gravity, which predict that downward motions are accelerated and upward motions are decelerated by gravity. In visual sessions, a target moved up or down while participants remained stationary. In vestibular sessions, participants were moved up or down, while they fixated an imaginary target moving along. In visual-vestibular sessions, participants were moved up or down while the visual target remained fixed. We found that downward motions of either the visual target or the participant were systematically perceived as lasting less than upward motions of the same duration, and vice-versa for the opposite direction of motion, consistent with the prior assumption that downward motion is accelerated and upward motion is decelerated by gravity. In visual-vestibular sessions, there was no significant difference in the average estimates of duration of downward and upward motion of the participant. However, there was large inter-subject variability of these estimates.

neuroscience↗

Rhythmic tapping to a moving beat: motion kinematics overrules motion naturalness.

Beat induction is the cognitive ability that allow humans to listen to a regular pulse in music and move in synchrony with it. Although auditory rhythmic cues are known to induce more consistent synchronization than flashing visual metronomes, this asymmetry can be canceled out by visual moving metronomes. Here, we investigated whether the naturalness of the visual motion or its kinematics could provide a synchronization advantage over flashing metronomes. Subjects tap in sync with visual isochronous metronomes defined by vertically or horizontally accelerating and decelerating motion, either congruent or not with natural gravity, and then continue tapping with no metronome. We found that motion kinematics was the predominant factor determining rhythm synchronization, as accelerating moving metronomes in either cardinal direction produced more precise and predictive tapping than decelerating or flashing conditions. Notably, a Bayesian observer model revealed that error correction during tapping synchronization and regression towards the mean in accuracy during tapping continuation in the absence of external cues are optimal control strategies independently of the moving properties of the visual metronomes. Our results support the notion that accelerating visual metronomes convey a strong sense of beat as seen in the cueing movements of an orchestra director.

neuroscience↗